SPH
5003. Human Communication Theory.
This communication theory class integrates learning about speech
communication in various contexts. It is an in-depth study of
contemporary and traditional perspectives of human communication,
and synthesizes major concepts in human communication theory development.
May not be taken for credit after the completion of SPH
4003.
SPH
5053. Speech Communication Seminar.
A course for both majors and non-majors who want to investigate
the relationships between human communication and contemporary social,
political, and economic issues. May not be taken for credit after
the completion of SPH 4053 unless the
topics differ.
SPH
5063. Organizational Communication.
Theories and practices of organizational communication are examined
from a critical and historical perspective. Issues related to the
personal, relational, cultural, group, business, global, and ethical
dimensions of everyday communication practices are analyzed. Includes
lecture, discussion, research, and group projects. May not be taken
for credit after the completion of SPH 4063.
SPH
5073. Directing Forensics.
Prerequisites: Oral interpretation, Argumentation, Public Speaking
and/or consent of the instructor. May not be taken for credit after
completion of SPH 4073 or equivalent.
Practical study and training to lead to the planning of activities,
directing competitive events, and administration of a forensic program
on the high school level.
SPH
5123. Rhetorical Criticism.
The course will provide the principles of rhetorical theories as
they have developed throughout history and apply them to the critical
analysis of various communication events. May not be taken for credit
after the completion of SPH 4123.
SPH
5153. Persuasion Theory & Audience Analysis.
Survey of classical and social science theories in persuasion. Particular
emphasis is given to analysis of persuasive strategies, preparation
of persuasive appeals, ethics of persuasion, and audience analysis.
A consideration of social movements and persuasive campaigns is
also included.
SPH
5283. Children’s Theatre: Techniques and Practicum.
Summer. Prerequisites: Consent of instructor. The philosophy of
teaching acting to children, in theory and practice. The course
is designed for drama majors, teachers, and others interested in
child development. The semester equivalent of two hours of class
lecture is combined with the semester equivalent of two hours of
supervised laboratory experience in a children’s theatre setting.
May not be taken for credit after completion of SPH
4283 or equivalent.
SPH 6891-4. Independent Study.
Open to graduate students who wish to pursue individual study
or investigation of some facet of knowledge which complements
the purpose of the University’s graduate program. Students will
be required to plan their studies and prepare formal written reports
of their findings. The selected topic may not constitute any duplication
of study leading to the accomplishment of a thesis.
TH 5313. Theatre History III -- 1900 to 1960.
A study of European and American theatre during the first part
of the twentieth century, including movements such as realism,
symbolism, expressionism, epic theatre, and theatre of the absurd,
and playwrights such as Ibsen, Chekhov, Strindberg, Maeterlinck,
Shaw, Brecht, O'Neil, Williams, Lonesco, and Beckett. May not
be taken for credit after the completion of TH
4313 or equivalent.
TH 5323. Theatre History IV -- 1960 to Present.
A study of European and American theatre during the last four
decades of the twentieth century, including movements such as
postmodernism, political/didactic theatre, feminist theatre, neorealism,
new comedy, and collective creation, and playwrights such as Mamet,
Wilson, Stoppard, Shepard, Churchhill, Henley, Simon, Rabe, Havel,
and Fugard. May not be taken for credit after completion of TH
4323 or equivalent.
TH 5503. Scene Design.
Prerequisite: TH 3513 or permission of instructor. A study of
the elements of design for the stage, from conception to finished
production models, focusing on line, form, mass, and color. May
not be taken for credit after completion of TH
4503 or equivalent.
TH 5506. High School Play Production.
This course will provide basic information in lighting, sound
design, set design and construction, make-up, costume design and
construction, stage management, directing, and improvisational
techniques. This course is aimed at certified teachers who are
returning to school for additional training and is designed to
meet area needs. May not be taken for credit after completion
of TH 4506 or equivalent.
TH 5983. Theatre Seminar.
Prerequisite: Twelve hours in theatre or consent of instructor.
A directed seminar dealing with a selected topic in theatre studies.
May be repeated for credit for different topics.
TH 6891-4. Independent Study.
Open to graduate students who wish to pursue individual study
or investigation of some facet of knowledge which complements
the purpose of the University's graduate program. Students will
be required to plan their studies and prepare formal written reports
of their findings. The selected topic may not constitute any duplication
of study leading to the accomplishment of a thesis.
JOUR
5033. Community Journalism
A course to acquaint the student with the characteristics of journalism
as practice in small towns and cities and study the relationship
of the news media to the other institutions of the town or city.
JOUR 5053. Mass Communication Seminar.
Prerequisite: Permission of instructor. Studies of the relationship
of mass communication to social, political, technical, and economic
issues. Course content will vary. May be repeated for credit as
JOUR 4053 or 5053 when course content
chances.
JOUR 5083. New Communication Technology
A study of and practice in the use of the developing technology
in mass communication, including the social, legal, and economic
effects.
JOUR 5113. History of American Journalism
Prerequisite: Permission of instructor. A survey of the history
of American journalism and mass media and their relationships
to technical, economic, political, and other aspects of American
society. May not be taked for credit after completion of JOUR
4113 or equivalent.
JOUR 5123. Laws of Communication
This course will familiarize the student with legal knowledge
necessary for a communications specialist or working journalist.
The course will attempt to identify case and statute law. It will
also include in-depth research in particular legal matters. May
not be taken for credit after completion of JOUR
4122, JOUR 4124 or equivalent.
JOUR 5163. Advanced Photography and Video
An introduction to advanced photographic techniques, including
color film processing, digital photography and nonlinear editing.
Various historic and current theories of visual journalism provide
a substantive base for the application of techinques.
JOUR 5193 Communication Research Methods.
Basic research methods in communication course that provides graduate
students in the department with the knowledge to understand, assess,
and utilize social science research data.
JOUR 5243. Journalism Writing Seminar
This course is designed to teach the fundamentals of news writing
and fact-gathering for the mass media in a fundamentals will apply
to broadcasting, news media, public relations, advertising, and
other fields.
JOUR 6053. Media and Society
Incorporates mass communication theory as well as the global nature
of media operations while focusing on the relationship between
mass media and society. Students will examine contemporary issues
that confront media professionals together with the social responsibilities
and ethical questions that attend such issues. The political,
social, and governmental influences on media policies and practicies
will also be emphasized in addition to the effects of media on
society and culture. Prerequisite: SPH 5003,
Human Communication Theory.
JOUR 6133. Multi-media Publishing
Focuses on designing communication messages on the computer that
combine several media and are interactive. Using the same software
tools that are used in the multi-media industry, students learn
to conceptualize, design, prepare, and program works for publication
on CD-ROM and/or the WEB. Work in the course attempts to parallel
product development in the real world multi-media industry. Prerequisite:
JOUR 5163, Advanced Photography and
Video.
JOUR (ART) 6163. Survey of the 20th Century Photography.
An investigation of the development of photography as a fine art
or commercial art form or as a medium for social documentary.
Fine art photography is emphasized with the work of significant
advertising, commercial, and documentary photographers also included.
JOUR 6193. Journalistic Writing for Multi-Media.
Introduction to writing for multi-media. Course explores the advantages,
audiences, and various technologies before studying the formats
and language appropriate for each medium. Students develop their
writing skills through analysis and practice.
JOUR (ART) 6263. Survey of Photojournalism.
An investigation of the development of photography as a journalistic
medium and as a medium for social documentary. The work and working
methods of major photojournalists from about the time of the American
Civil War to the present will be examined along with the impact
of photojournalism on modern society.
JOUR 6891-4. Independent Study.
Open to graduate students who wish to pursue individual study
or investigation of some facet of knowledge which complements
the purpose of the University's graduate program. Students will
be required to plan their studies and prepare formal written reports
of their findings. The selected topic may not constitute any duplication
of study leading to the accomplishment of a thesis.
JOUR 6996 Professional Project.
Projects should be original work that is a manifestation of the
student's mulit-media expertise and reflect both a mastery of
contect with respect to a given topic as well as the technological
skill to present the same in a multi-media format. All completed
projects must include a written review of the literature and other
materials relevant to the project. It is anticipated that the
review will be substantive and comprehensive, and clearly indicate
how the project builds on intellectual and journalistic traditions.
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